TREES PLANTED
Our mid-level ND64 filter provides a fixed 6 f-stop light reduction. Cutting out 6 f-stops of light gives you better control with long exposure and depth of field techniques in bright light.
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Our mid-level ND64 filter provides a fixed 6 f-stop light reduction. Cutting out 6 f-stops of light gives you better control with long exposure and depth of field techniques in bright light.
DESCRIPTION
By blocking light entering your camera, our ND64 Filter allows you to use longer shutter speeds for long exposure and motion blur effects in bright light.
With less light entering your camera, you can use wider apertures in bright light for shallower depth of field without overexposing images.
Cinematographers can use our ND64 Filter to create more cinematic effects in bright light without losing quality or overexposing the shot.
All our circular filters come with a protective travel tin case, a recycled cleaning cloth, and recycled plastic-free packaging.
DELIVERY
Free shipping within Australia.
We deliver with AusPost and Fastway Couriers for faster and safer delivery.
Standard shipping: 3-7 days.
Express shipping: 2-4 days.
Please allow an extra 2 days for regional areas.
RETURNS
30-day returns.
Shop with confidence knowing you can return products within 30 days of purchase.
16-layer nano-coating
Quality protection, easier to clean.
No colour cast
True colours.
Creative control
Dramatic long exposure and motion blur effects.
Lifetime warranty
Quality you can trust.
No ND
ND62 2Peak
Better depth of field
Achieve beautiful depth of field with wider apertures in bright light.
Longer motion blur
Slow your shutter speed for stronger motion blur effects in bright light.
More cinematic
Achieve a more cinematic look with slower shutter speeds when filming in bright light.
Premium Japanese glass
Coated with a 16-layer nano-coating for truer light transmittance, better protection, and easier cleaning.
Ultra-slim rim
Our consciously designed ultra-slim rim avoids vignetting and our durable magnalium is guaranteed for life.
Double-threaded
All our filters are double-threaded for stacking filters or using screw-mount lens caps.
1/4
Search your lens and find the diameter symbol Ø followed by a number e.g. Ø58 or Ø58mm). This can be found on the front or side of your lens – this magic number is your filter size. Note: Your lens focal length (e.g. 18-55mm) is not your filter size.
2/4
Lovingly behold lens in one hand and place flat on lens. Gently screw clockwise until just firm. Do not over-tighten – that which goes on must one day come off.
3/4
The fixed f-stop darkening of your images allows a controlled slowing of your shutter speed for motion blur effects.
4/4
Or, you can adjust for fixed f-stop darkening by opening up your aperture, which creates a shallower depth of field. You can also combine both exposure setting adjustments.
Todd Clare took an ND filter and a few other items of gear to capture ...
READ MOREND64 (6 Stop) Filter 2Peak
VS
Filter Type
Neutral Density 64
Neutral Density 1000
Neutral Density 16
Neutral Density 8
Neural Density 256
Neutral Density 128
Neutral Density 32
Neutral Density 64
Neutral Density 32
Neutral Density 512
Neutral Density 8
Neutral Density 4
Neutral Density 1000
Nano Coating
16-Layers
16-Layers
16-Layers
16-Layers
24-layers
16-Layers
16-Layers
12-Layers
16-Layers
16-Layers
12-Layers
16-Layers
12-Layers
Grade
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Japanese AGC Glass
Density
1.8 (6 Stop)
3.0 (10 Stop)
1.2 (4 Stop)
0.9 (3 Stop)
2.4 (8 stop)
2.1 (7 Stop)
1.5 (5 Stop)
1.8 (6 Stop)
1.5 (5 Stop)
2.7 (9 Stop)
0.9 (3 Stop)
0.6 (2 Stop)
3.0 (10 Stop)
Effect
Cuts 98.44% of light
Cuts 99.9% of light
Cuts 93.75% of light
Cuts 87.5% of light
Cuts 99.61% of light
Cuts 99.22% of light
Cuts 96.87% of light
Cuts 98.44% of light
Cuts 96.87% of light
Cuts 99.8% of light
Cuts 87.5% of light
Cuts 75% of light
Cuts 99.9% of light
Which ND filter should I buy?
The best ND filter for your photography will depend on the effects you want to achieve.
The first choice you need to make it whether to go for a Fixed ND Filter or a Variable ND Filter. A variable ND filter offers more options, which is great if you’re shooting in changing light conditions, or just starting out with ND filters. A fixed ND provides a specific light reduction and works better with telephoto and wide-angle lenses. The next choice you need to make is the level of light reduction you want. The higher the ND number, the more light it blocks from reaching your camera sensor.
Should I buy a fixed or variable ND filter?
It depends on how, where and what you’ll be shooting.
Fixed ND filters block a fixed f-stop of light from entering your camera. Variable ND filters provide more flexibility and have a range of f-stops you can block by rotating the outer element. If you’re starting out with ND filters, we recommend a Variable ND so you have more flexibility while you’re learning how to shoot with an ND. If the light is likely to change often, a Variable ND saves you changing between fixed NDs each time.
Do I need to get an ND if I already have a CPL?
Yes, if you want more than a 2 f-stop reduction of light.
While CPL filters polarize light to remove reflections and increase colour saturation, ND filters reduce the amount of light that makes it through to your camera’s sensor, which opens up opportunities to experiment with depth of field and motion blur effects even in bright light.
What are the best ND filters for wide-angle and telephoto lenses?
Our whole range of Fixed ND Filters work with wide-angle and telephoto lenses.
Our ND filters have ultra-slim rims to avoid any vignetting issues. Our Fixed ND Filters are all in our professional Plus+ range and use the world’s best glass, making them perfect for wide-angle and telephoto lenses.
What do the ND Filter numbers mean?
The higher the number, the more light it blocks from entering your camera.
The 4 of our ND4 Filter Plus+ refers to the amount of light blocked. An ND2 reduces light transmittance to a quarter. An ND8 reduces it to an eighth, an ND1000 reduces it to 1/1000th.
"Amazing value for money. I have used Gobe religiously for over a year now and find they are perfect." – Josh purchased our ND64 2Peak.
This filter is perfect for those already low light situations when you want to crank that shutter speed right down.
Purchased for my Irix 15mm lens as I wanted a screw on filter just to try as I normally use square filters. Honestly so glad I tried the Gobe filters. No obvious loss of quality in the final images and no colour casting that I could see. Easy to carry around and saves the bulkiness of the square filter system. Great protective carrying tin and each purchase allows you to help plant trees. You won't regret trying these.
I have 4 Gobe filters and for the cost of them, in my opinion they're up there with the more expensive ones, currently own 77mm ND64, ND1000, CPL and a UV filter for when I do steel wool photography to protect my lens, also got 58mm CPL as well for another lens, quality is good, had no issue with this filter or any of my other ND filters. I've only noticed colour cast (slightly) when exposing for 4 mins or more, would certainly recommend them and if I need any more I'd buy Gobe filters again.
Got this ND filter for a Tamron 16-300 lens on a Nikon D3500. I wanted to take shots where a longer exposure can be used to enhance the effects of motion (such as running water in the frame) Works great when shooting shots in certain situations like with a waterfall or ocean waves on the shore. The ND filter allows the motion to blur in the shot. Definitely need a tripod when using the ND filter. Love the packaging and the fact that Gobe will plant trees with every purchase. Well made glass on the filter, and there appears to be no distortion of problems with the filter. Highly recommended.
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